This
is full of spoilers, so be alert (but not alarmed).
Unlike
Brad Pitt, I miraculously survived Fury,
but I was left with many unanswered questions. Questions like why did
Hollywood, 69 years after the end of the war feel the need to produce a
propaganda film? Are there still ally soldiers scurrying across Europe looking
for “Krauts” that need a bit of pepping up?
What
the hell was the eggs for lunch scene all about, and why was it so damn long?
Norman sits down to play the piano whilst his comrades are raiding properties
to rid the earth of the scourge that is Nazi military, yet the sound of the
music does not result in a quick and brutal response from the troops outside.
Neither did the movement of Irma at the window as she cooked the eggs. On the
cooking of the eggs, did Irma cook the eggs really slowly or was Norman REALLY
quick in the bedroom with Emma? The loved up couple were ready before lunch was
served.
How
fortunate was it that when the house in which Irma and Emma resided was bombed
in an airstrike and the building collapsed on top of them that Emma’s body
ended up neatly on top of the rubble? Her position made it easy for Norman, who
falls in love as fast as he orgasms, to bid her an emotional farewell.
Was
the tank “fury” made by the A-Team?
Just like the cast and their 1983 GMC Vandura G-class cargo van and their
endless cavalcade or homemade armoured vehicles constructed by welding rubbish
bins to golf carts, the tank was indestructible. No amount of bullets, missiles
or anti-tank artillery can stop this vehicle or its inhabitants. Finally a land
mine does break its tread, the equivalent of a flat tyre. Something not even
B.A. Baracus had to contend with.
Now
stranded in the middle of a crossroad, the very crossroad they were there to
defend, they have to defend themselves against a platoon of SS soldiers. How
did they know they were SS troops? Brad Pitt told them so, apparently he could
tell by the sound of their singing.
The
fight commenced in broad daylight, yet suddenly changed to middle of the night.
I know in the Arctic Circle that sunset can last days if not weeks, but can it
change in a blink of an eye from day to night in Germany? I don’t know I have
never been there.
The
inhabitants of the tank fight courageously killing off hundreds of German
soldiers. Singing SS soldiers no less. They kill them in a way only an American
tank lead by an all-American hero in an American made movie can. Many of the
German’s were on or at the base of the tank at the time they were killed. They
fell into the mud around the tank. Where did the mud come from as there was no
rain? That aside, who moved all of the bodies off the road onto one of the four
verges surrounding the intersection? As the camera pans up, all of the German
casualties are clear of the tank leaving the vehicle sitting like a
round-a-bout in the centre of the cross road.
How
did Norman know the footsteps on the tank the day after the battle were those
of American troops rescuing him and not German troops ensuring everyone was
dead? Maybe Brad Pitt taught him how to discern military allegiances by sound –
the same way he good discern the oncoming Germans were SS troops. Thankfully he
knew he were American and did not shoot them when they opened the hatch.
Who
cleaned the window on the rear door of the ambulance? When filmed from inside
the ambulance the window was covered in dirt and grime from the road making for
an eerie and gritty shot as Norman looks out of the ambulance at the death
around him. Then the angle changes to outside the ambulance looking back at the
distressed Norman as he drives away. Now the grime is all but gone so that the
window perfectly frames Norman’s face.
Despite
all of these and many more questions arising from this Sony Pictures production
but the biggest is Brad Pitt’s hair. Ignoring the very non military style, it
is always perfect. No amount of time inside or riding a top of a tank or hours
wearing a helmet, not even endless battles will mess this do.
At
worst it looks as though a mate has given his hair a quick tussle, but the
quiff only moves from salon perfect to carefree. Either way his hair was always
at the ready for a fashion photography shoot or a red carpet.
They
shall not grow old as we that are left grow old
Age
shall not weary them, nor bad hair days condemn…
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