The Door
…Should be slammed closed and secured as
tightly as it is portrayed in the film
during the fumigation scene Helen Mirren portrayal of a 1960’s Hungarian house
maid is excellent in a story that unfortunately travels even less than her
character.
I was surprised Helen Mirren was in this
movie, as I did not know that she could speak Hungarian. She can’t! There was a
hint of accent much like the portrayal of German soldiers in most WWII
television and movie depictions.
A wealthy writer and her husband employ the
maid to cook and clean for them. The house mistress form a strong but clumsy
friendship as they navigate the challenges of deeply caring for each other
whilst maintaining their professional hierarchy.
The end.
For 98 minutes I waited for something of
interest, something exciting to happen. Like Vladamir and Estragon, I am
unfortunately left waiting.
This flat narrative carries the themes of
love, trust and honour. With such a thin story line these themes are very close
to the surface and are therefore require very little interpretation by the
viewer.
A point of interest is whether or not Helen
Mirren is wearing make up. If she is then it is exceptional partly because it
is questioned if the make up exists and partly because it depicts the face of a
hardworking ageing woman. If not then although it can be said that she is
ageing gracefully, she is definitely ageing.
The stoic and stubborn nature of her
character than is unafraid of speaking her mind does give some hope to the
viewer only that her turn of phrase is scathing and humourous at the same time.
This still was not enough to keep all of
the punters in the cinema awake for the duration of the film. Helen Mirren has
again demonstrated her immense acting ability but a quality film needs more
than one good performance.
The highlight was the butterscotch choc-top
ice cream. Unfortunately this was all but eaten before the adverts and trailers
had ended.
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